Release:Post-Modern Industrial Boombox (Solid Being): Difference between revisions
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Footprints catalog seed build (Audocs, Oct 29 2026) |
Footprints catalog seed build (Audocs, Oct 29 2026) |
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== Tracklist == | == Tracklist == | ||
{| class="wikitable" | {| class="wikitable" | ||
! # !! Recording !! ISRC | ! # !! Recording !! ISRC !! ISWC | ||
|- | |- | ||
| 1 || [[Recording:Lower Life Forms (Post-Modern Industrial Boombox (Solid Being))|Lower Life Forms]] || US-4PL-18-12031 | | 1 || [[Recording:Lower Life Forms (Post-Modern Industrial Boombox (Solid Being))|Lower Life Forms]] || US-4PL-18-12031 || | ||
|- | |- | ||
| 2 || [[Recording:Affinity (Post-Modern Industrial Boombox (Solid Being))|Affinity]] || US4PL1812032 | | 2 || [[Recording:Affinity (Post-Modern Industrial Boombox (Solid Being))|Affinity]] || US4PL1812032 || | ||
|- | |- | ||
| 3 || [[Recording:Who Got The Mots (Post-Modern Industrial Boombox (Solid Being))|Who Got The Mots]] || US-4PL-18-12033 | | 3 || [[Recording:Who Got The Mots (Post-Modern Industrial Boombox (Solid Being))|Who Got The Mots]] || US-4PL-18-12033 || | ||
|- | |- | ||
| 4 || [[Recording:Puff Nebula (Post-Modern Industrial Boombox (Solid Being))|Puff Nebula]] || US-4PL-18-12034 | | 4 || [[Recording:Puff Nebula (Post-Modern Industrial Boombox (Solid Being))|Puff Nebula]] || US-4PL-18-12034 || | ||
|- | |- | ||
| 5 || [[Recording:Two Worlds (Post-Modern Industrial Boombox (Solid Being))|Two Worlds]] || US-4PL-18-12035 | | 5 || [[Recording:Two Worlds (Post-Modern Industrial Boombox (Solid Being))|Two Worlds]] || US-4PL-18-12035 || | ||
|- | |- | ||
| 6 || [[Recording:Blood (Post-Modern Industrial Boombox (Solid Being))|Blood]] || US-4PL-18-12036 | | 6 || [[Recording:Blood (Post-Modern Industrial Boombox (Solid Being))|Blood]] || US-4PL-18-12036 || | ||
|- | |- | ||
| 7 || [[Recording:Now (Post-Modern Industrial Boombox (Solid Being)) (track 7)|Now]] || US-4PL-18-12037 | | 7 || [[Recording:Now (Post-Modern Industrial Boombox (Solid Being)) (track 7)|Now]] || US-4PL-18-12037 || | ||
|- | |- | ||
| 8 || [[Recording:Now (Post-Modern Industrial Boombox (Solid Being)) (track 8)|Now]] || US-4PL-18-12038 | | 8 || [[Recording:Now (Post-Modern Industrial Boombox (Solid Being)) (track 8)|Now]] || US-4PL-18-12038 || | ||
|- | |- | ||
| 9 || [[Recording:Moving On (Post-Modern Industrial Boombox (Solid Being))|Moving On]] || US-4PL-18-12039 | | 9 || [[Recording:Moving On (Post-Modern Industrial Boombox (Solid Being))|Moving On]] || US-4PL-18-12039 || | ||
|- | |- | ||
| 10 || [[Recording:Bash (Post-Modern Industrial Boombox (Solid Being))|Bash]] || US-4PL-18-12040 | | 10 || [[Recording:Bash (Post-Modern Industrial Boombox (Solid Being))|Bash]] || US-4PL-18-12040 || | ||
|- | |- | ||
| 11 || [[Recording:Brainwash (Post-Modern Industrial Boombox (Solid Being))|Brainwash]] || US-4PL-18-12041 | | 11 || [[Recording:Brainwash (Post-Modern Industrial Boombox (Solid Being))|Brainwash]] || US-4PL-18-12041 || | ||
|- | |- | ||
| 12 || [[Recording:Be (Post-Modern Industrial Boombox (Solid Being))|Be]] || US-4PL-18-12042 | | 12 || [[Recording:Be (Post-Modern Industrial Boombox (Solid Being))|Be]] || US-4PL-18-12042 || T9196002810 | ||
|- | |- | ||
| 13 || [[Recording:Fields (Post-Modern Industrial Boombox (Solid Being))|Fields]] || US-4PL-18-12043 | | 13 || [[Recording:Fields (Post-Modern Industrial Boombox (Solid Being))|Fields]] || US-4PL-18-12043 || | ||
|- | |- | ||
| 14 || [[Recording:Code Head (Post-Modern Industrial Boombox (Solid Being))|Code Head]] || US-4PL-18-12044 | | 14 || [[Recording:Code Head (Post-Modern Industrial Boombox (Solid Being))|Code Head]] || US-4PL-18-12044 || | ||
|- | |- | ||
| 15 || [[Recording:Grey (Post-Modern Industrial Boombox (Solid Being))|Grey]] || US-4PL-18-12045 | | 15 || [[Recording:Grey (Post-Modern Industrial Boombox (Solid Being))|Grey]] || US-4PL-18-12045 || T3063200040 | ||
|- | |- | ||
| 16 || [[Recording:Contact (Post-Modern Industrial Boombox (Solid Being)) (track 16)|Contact]] || US-4PL-18-12046 | | 16 || [[Recording:Contact (Post-Modern Industrial Boombox (Solid Being)) (track 16)|Contact]] || US-4PL-18-12046 || | ||
|- | |- | ||
| 17 || [[Recording:Contact (Post-Modern Industrial Boombox (Solid Being)) (track 17)|Contact]] || US-4PL-18-12048 | | 17 || [[Recording:Contact (Post-Modern Industrial Boombox (Solid Being)) (track 17)|Contact]] || US-4PL-18-12048 || | ||
|- | |- | ||
| 18 || [[Recording:Tools Of The Trade (Post-Modern Industrial Boombox (Solid Being))|Tools Of The Trade]] || US-4PL-18-12047 | | 18 || [[Recording:Tools Of The Trade (Post-Modern Industrial Boombox (Solid Being))|Tools Of The Trade]] || US-4PL-18-12047 || | ||
|- | |- | ||
| 19 || [[Recording:Is Oriso (Post-Modern Industrial Boombox (Solid Being))|Is Oriso]] || US-4PL-18-12049 | | 19 || [[Recording:Is Oriso (Post-Modern Industrial Boombox (Solid Being))|Is Oriso]] || US-4PL-18-12049 || | ||
|- | |- | ||
| 20 || [[Recording:Istanbul Hostel (Post-Modern Industrial Boombox (Solid Being))|Istanbul Hostel]] || US-4PL-18-12050 | | 20 || [[Recording:Istanbul Hostel (Post-Modern Industrial Boombox (Solid Being))|Istanbul Hostel]] || US-4PL-18-12050 || T9063489758 | ||
|- | |- | ||
| 21 || [[Recording:Movfwd (Post-Modern Industrial Boombox (Solid Being))|Movfwd]] || US-4PL-18-12051 | | 21 || [[Recording:Movfwd (Post-Modern Industrial Boombox (Solid Being))|Movfwd]] || US-4PL-18-12051 || | ||
|- | |- | ||
| 22 || [[Recording:Division One (Post-Modern Industrial Boombox (Solid Being))|Division One]] || US-4PL-18-12052 | | 22 || [[Recording:Division One (Post-Modern Industrial Boombox (Solid Being))|Division One]] || US-4PL-18-12052 || | ||
|- | |- | ||
| 23 || [[Recording:Smooth (Post-Modern Industrial Boombox (Solid Being))|Smooth]] || US-4PL-18-12053 | | 23 || [[Recording:Smooth (Post-Modern Industrial Boombox (Solid Being))|Smooth]] || US-4PL-18-12053 || | ||
|- | |- | ||
| 24 || [[Recording:Well (Post-Modern Industrial Boombox (Solid Being))|Well]] || US-4PL-18-12054 | | 24 || [[Recording:Well (Post-Modern Industrial Boombox (Solid Being))|Well]] || US-4PL-18-12054 || | ||
|- | |- | ||
| 25 || [[Recording:Break through (Post-Modern Industrial Boombox (Solid Being))|Break through]] || US-4PL-18-12055 | | 25 || [[Recording:Break through (Post-Modern Industrial Boombox (Solid Being))|Break through]] || US-4PL-18-12055 || T3063465527 | ||
|- | |- | ||
| 26 || [[Recording:Back 2 The Basics Ft. M. Davis (Post-Modern Industrial Boombox (Solid Being))|Back 2 The Basics Ft. M. Davis]] || US-4PL-18-12056 | | 26 || [[Recording:Back 2 The Basics Ft. M. Davis (Post-Modern Industrial Boombox (Solid Being))|Back 2 The Basics Ft. M. Davis]] || US-4PL-18-12056 || | ||
|} | |} | ||
Latest revision as of 00:20, 30 October 2026
| Post-Modern Industrial Boombox (Solid Being) | |
|---|---|
| Artist | Bil Basmala |
| Released | 2020-02-27 |
| Label | Footprints |
| UPC | 727908200546 |
| Catalog # | ATHR22 |
| Tracks | 26 |
Post-Modern Industrial Boombox (Solid Being) is a release by Bil Basmala on Footprints.
Format: Digital, CD
About
[edit]The Post-Modern Industrial Boombox is an innovative album. Hasan -Vs- Goliath created it as Bil Basmala and Solidbeing Sound. This shows his dedication to pushing music boundaries.
Tracklist
[edit]| # | Recording | ISRC | ISWC |
|---|---|---|---|
| 1 | Lower Life Forms | US-4PL-18-12031 | |
| 2 | Affinity | US4PL1812032 | |
| 3 | Who Got The Mots | US-4PL-18-12033 | |
| 4 | Puff Nebula | US-4PL-18-12034 | |
| 5 | Two Worlds | US-4PL-18-12035 | |
| 6 | Blood | US-4PL-18-12036 | |
| 7 | Now | US-4PL-18-12037 | |
| 8 | Now | US-4PL-18-12038 | |
| 9 | Moving On | US-4PL-18-12039 | |
| 10 | Bash | US-4PL-18-12040 | |
| 11 | Brainwash | US-4PL-18-12041 | |
| 12 | Be | US-4PL-18-12042 | T9196002810 |
| 13 | Fields | US-4PL-18-12043 | |
| 14 | Code Head | US-4PL-18-12044 | |
| 15 | Grey | US-4PL-18-12045 | T3063200040 |
| 16 | Contact | US-4PL-18-12046 | |
| 17 | Contact | US-4PL-18-12048 | |
| 18 | Tools Of The Trade | US-4PL-18-12047 | |
| 19 | Is Oriso | US-4PL-18-12049 | |
| 20 | Istanbul Hostel | US-4PL-18-12050 | T9063489758 |
| 21 | Movfwd | US-4PL-18-12051 | |
| 22 | Division One | US-4PL-18-12052 | |
| 23 | Smooth | US-4PL-18-12053 | |
| 24 | Well | US-4PL-18-12054 | |
| 25 | Break through | US-4PL-18-12055 | T3063465527 |
| 26 | Back 2 The Basics Ft. M. Davis | US-4PL-18-12056 |